The French Dispatch: Day four

The author finds that Cannes Lions is a place where strangers hand you better ideas mid-sentence — for free.

Shriya Sista

Jun 28, 2026, 7:56 pm

Shriya Sista's Cannes collage

Thursday began as predicted. Socially and far too early. The Chez Vayner breakfast talk had the particular energy of people exchanging ideas before their coffee has fully landed, which is somehow more honest than exchanging them after. Everyone arrives armed with opinions; few arrive armed with sleep.

Then came Ravid Kuperberg’s session on creating amazing ideas with a not-so-amazing budget, and here I must be cagey, because some lessons are worth hoarding. He’s spent years making constraint look like a design choice rather than a limitation, and what he shared was good enough that I intend to actually use it rather than merely admire it from a respectful distance. If you’re curious what he said, you’ll have to track me down and ask nicely. I make no promises about how nicely is nicely enough.

The Pinterest Beach session shifted register entirely, into scale and the unglamorous machinery behind it. Putting on something like the Manifestival isn’t a single clever idea; it’s hundreds of competent decisions stacked carefully on top of each other, calibrated for wildly different audiences while somehow keeping the whole thing unmistakably Gen Z in spirit. That’s a harder trick than it sounds: tailoring without diluting, scaling without flattening.

The evening took a different shape entirely. I went to a networking event with Indian Creative Women, a room full of women from across the subcontinent comparing notes on their work and both, the glamorous and unglamorous realities of building careers in it. There’s something quietly bracing about hearing your own half-formed worries said aloud, more articulately, by someone several steps further along. I left feeling oddly recalibrated, in the way only good company manages.

I ended the day at the beach for a friend’s birthday. We talked about work, life, love, all the usual unsolvable things, the way you only really talk when the day has gone soft at the edges. At some point we waded into the sea, the kind of small foolishness that only makes sense at midnight by water.

And now I find myself oddly sentimental about leaving. There’s a particular generosity to this place: every person you stop to speak to seems to be carrying around three more interesting things than you expected, and they’ll hand them to you freely, mid-conversation, like it costs nothing. For someone who’ll talk to anyone about anything, that’s not a small thing. It might be the whole thing.

I’m writing this from the night bus as it goes uphill, tapping away at my phone, already looking forward to the next time I attend. 

The author is designer, Lopez Design. 

 

Source: MANIFEST MEDIA

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