Opinion: Silent luxury in festive advertising - why premium brands are moving beyond the hard sell

The author examines how premium brands can move beyond discount-led festive advertising by embracing understated storytelling.

Sapna Sharma

Oct 28, 2026, 10:37 am

Sapna Sharma

There is an interesting contradiction in how premium brands approach festive advertising in India. They spend much of the year building identities around quality, craftsmanship and exclusivity, only to enter the festive season competing on the same terms as everyone else. Bigger campaigns, celebrity endorsements, elaborate visuals and limited-period offers dominate the conversation, often overshadowing the qualities that made these brands desirable in the first place.

The commercial logic is understandable. Festivals are important purchasing occasions, and discounts can influence buying decisions. The problem is not that premium brands participate in festive promotions. It is that promotional messaging can sometimes overpower the attributes that justify their premium positioning.

This is where the growing interest in silent luxury offers a useful perspective.

Traditionally associated with understated fashion and products that communicate quality without obvious displays of status, silent luxury has implications beyond aesthetics. For advertisers, it is less about creating quieter campaigns and more about allowing a brand's inherent value to speak for itself.

The story behind a product, the experience of owning it and the meaning consumers attach to it can often create a stronger impression than an elaborate production or an aggressive promotional message.

Understanding the aspirational consumer

One of the more interesting developments in premium consumption is how aspiration and value-consciousness coexist. Consumers may aspire to own better products while remaining deliberate about when and how they purchase them.

Deloitte India's January 2026 report, Weaving a new India identity: The rise of fast fashion and affordable premium, found that nearly 40% of surveyed consumers had tried new fashion brands in the previous year, while around 30% identified sensory and in-store experiences as important purchase influences. The research also highlighted interest in quality, craftsmanship and authenticity.

The report further noted that premium fashion purchases are often planned around discounts or special occasions. This challenges the assumption that premium consumers are indifferent to price.

Someone purchasing an expensive watch, a piece of jewellery or a designer outfit may appreciate a festive offer. But their decision to consider that brand is also shaped by quality, design, personal taste and the experience associated with ownership.

For marketers, the distinction matters. Price can influence when someone buys, but it should not become the only reason they choose a brand.

When storytelling becomes a brand advantage

Premium advertising has long relied on recognisable expressions of luxury. Grand settings, celebrated personalities and visually elaborate campaigns have helped brands establish aspiration. These approaches still have a place, but when several brands use similar imagery and messages, even expensive advertising can begin to feel interchangeable.

The opportunity lies in telling stories that are specific to the brand.

A jewellery brand can draw on its craftsmanship and design heritage. A fashion label can bring attention to the people, materials and ideas behind its collections. A watch brand can connect its products to personal milestones and the significance of owning something intended to last.

The objective is not simply to create an emotional campaign but to communicate something consumers would find difficult to associate with a competitor.

Tanishq's 2025 India Wali Diwali campaign offers an example of emotion-led festive storytelling. The film follows an Indian family living abroad as they recreate familiar festive traditions, placing jewellery within a larger narrative of belonging and cultural connection.

It is not an example of minimalism, but it demonstrates how a premium brand can allow a recognisable human experience to lead its communication without making the product the centre of every moment.

There is, however, a difference between meaningful storytelling and using emotion as a creative device. Craftsmanship, heritage and family traditions are common themes in premium advertising. Their presence alone does not make a campaign distinctive.

The story must have a credible connection to what the brand represents. Otherwise, understated storytelling risks becoming another formula.

Silent luxury does not mean less festive expression

Indian festivals are naturally expressive. Colour, abundance, gifting, family gatherings and elaborate rituals are central to the experience. Applying silent luxury too literally could strip festive advertising of the cultural richness that makes it relevant.

A premium campaign does not need muted colours or restrained celebrations to communicate sophistication. It can be visually rich without being excessive, feature a celebrity without depending entirely on their presence, and celebrate tradition without repeating familiar festive imagery.

The real consideration is whether every creative choice contributes to the brand's identity.

That consistency must extend beyond the campaign itself. A brand may create a thoughtful film around craftsmanship and exclusivity, but if consumers subsequently encounter repetitive discount-led messages across platforms, the experience can feel disconnected.

The premium promise established through advertising must also be reflected in how the brand communicates, sells and engages with consumers.

The media strategy must reflect the brand promise

For premium brands, greater visibility does not automatically translate into stronger desirability. Where a campaign appears, how frequently consumers encounter it and what happens after that first interaction all influence perception.

A brand film may introduce the story behind a collection. Short-form content can highlight craftsmanship or design details. Creators with genuine category knowledge can offer credible perspectives, while digital platforms allow interested consumers to explore products and make informed choices.

The retail experience should reinforce that promise through product presentation, service and personal attention.

This does not mean brand building and performance marketing need to operate separately. Both have important roles during the festive season. The challenge is to connect them without turning every consumer interaction into a sales pitch.

An offer may encourage someone to complete a purchase, but it need not define every communication leading up to that decision.

Marketers should also look beyond immediate conversions. Festive revenue remains important, but changes in brand consideration, branded search interest, store enquiries and repeat purchases can help indicate whether a campaign has strengthened preference beyond the promotional period.

For premium brands, the relationship being built matters alongside the transactions generated.

Building value beyond the festive season

Silent luxury is not an argument against festive discounts or high-impact advertising. Both will continue to serve a purpose, particularly in a market where aspiration and value-consciousness coexist.

The more important question is whether a brand's festive communication strengthens or dilutes the positioning it has built over time.

Festivals offer premium brands an opportunity to reinforce what makes their products distinctive and why consumers should value them. That requires balancing commercial urgency with the longer-term work of building trust and preference.

As festive advertising becomes increasingly competitive, the advantage may not always belong to the brand that communicates the loudest. It may belong to the one that knows what is worth communicating.

A discount can influence when someone buys. What premium brands need to build is a reason for consumers to choose them even when there is no discount at all.

The author is co-founder and chief operating officer, Efficacy Worldwide.

Source: MANIFEST MEDIA

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